"One thing that immediately stuck out with the amp was how loud it was. That alone was impressive because right away, I knew this amp could cut through a mix quite nicely. The 1x12 cabinet houses a custom B&C neodymium speaker rated at 150 watts. I imagine that the speaker is voiced with a fairly robust bottom end, which is probably why the amp sounds so huge. But the cabinet also seems to project and dissipate sound really well because even at lower volumes, the single speaker really filled the space.
"As far as dirty tone were concerned, the Galileo 15, powered by EL84 tubes reeks with Marshall-esque tone, but with a slightly more robust bottom end. As such, the Les Paul growled quite nicely. There did seem to be an ever-so-slight filtering of the highs, but I believe that gives the amp’s tone its unique character. It’s voiced similarly to a classic Marshall 18 Watt Plexi, but its slightly darker tone gives it a much smoother output. Needless to say, I dug it."
"The Tone Bones score says it all. This is a great little amp."
This video is worth to be watched entirely as it features all the kind words and thoughts we received from our artists during this tough period. That gives us the strenght to go through it, thank you! Music is our life, the universal way to express ourselves! #markworldartistsforitaly
Here is Greg Howe himself playing and explaining his new signature amp features. The DV Little GH 250 Tube is the best portable, lightweight, great sounding, super powerful and versatile amp you can get today!
Here is Kiko Loureiro testing the DV Mark Smart Multiamp for the first time on tour.
Mark World Rising Star Lisa-X performs her song Serendipity using her DV Mark Multiamp.
Alessio Menconi plays a classic tune by Stan Getz using his DVC Guitar Friend 12 II amp.
DV Mark rising star - 17 years old - Giorgio Galimberti plays his song Darkout using his Multiamp.
DV Mark artist Alessio Menconi plays Overjoyed by Stevie Wonder using his DVC Guitar Friend 12 II.
On this video DV Mark Artist Andrea Braido is improvising over a blues track using his DV Micro 50 II head on the Lead channel, using just a delay pedal in the FX Loop.